Credit Rod Kennedy Jr. for a keen perseverance. Pursuant to the story linked to his name, Kennedy unearthed (the right word) the blueprints for Ebbets Field. This is where Kennedy lives in his memories (as all us fans of baseball and cricket do, whatever the era or place in the world, Flatbush or Tibet) of a wild (in terms of where the ball was going after it left his hand)-young Sandy Koufax and the then-more-established Boys of Summer from the 1950s.
Kennedy’s dream is a one-quarter scale re-creation of Ebbets Field for a Dodgers museum. Kennedy went scavenging, in a place he more expected to find Bela Lugosi morphing into a bat, for the original stadium plans. Unfortunately, the Brooklyn Municipal fathers have reclaimed the blueprints. But much had been learned:
“The drawings revealed unknown aspects of the ballpark’s design…. ‘Photos are usually taken from some distance away, and when you stand back from the entrance you see little tiny round things on the roof of the ballpark,’ [an observer] said. The blueprints showed that these rooftop decorations, known as antefixes, were in fact baseballs, ornaments that echoed the baseball-adorned terracotta spandrels above the pilasters. The lot plan also showed that McKeever Place, on the…third-base side, was named Cedar Place in 1912.”
Charles Hercules Ebbets would be happy. His great club wouldn’t win a championship till 30 years after his death.
Whether instruments of the Dodgers Symph-phony Band have been or will be discovered, since the wrecking (base)ball of early 1960, remains unknown.
She’s the lyrics of Hart
When he wrote with Dick Rodgers,
A raspberry tart,
And the ol’ Brooklyn Dodgers!